Analysing Perceptions of South African Digital Artists towards Non-Fungible Token (NFT) Use
Nathier Abrahams, Pitso Tsibolane, Jean-Paul Van Belle
DOI: http://dx.doi.org/10.15439/2023F4823
Citation: Communication Papers of the 18th Conference on Computer Science and Intelligence Systems, M. Ganzha, L. Maciaszek, M. Paprzycki, D. Ślęzak (eds). ACSIS, Vol. 37, pages 1–8 (2023)
Abstract. Digital art has many major pitfalls, ranging from issues around tracking ownership to piracy. Non-fungible tokens (NFTs) have the ability to solve these issues and also bring new benefits, such as access to larger markets. Despite this, South Africa's digital artists have been slow to adopt NFTs. This research aims to understand what the values-based perceptions of South African digital artists are toward NFTs. Fifteen South African digital artists were interviewed using semi-structured interviews guided by the Updated Typology of Consumer Value framework. Ten positive perceptions, and three negative perceptions, as well as three risks and one benefit, were identified, explored and analyzed using the framework as well. This research can assist digital artists and other stakeholders in the NFT ecosystem to understand what the values-based perceptions of South African digital artists are and can be used to help assist decision and policymakers, artists, intermediaries and other stakeholders in South Africa and potentially elsewhere. Additionally, the validated and updated typology of consumer value can be of benefit to researchers that use this framework.
References
- M. McConaghy, G. McMullen, G. Parry, T. McConaghy, and D. Holtz-man, “Visibility and digital art: Blockchain as an ownership layer on the Internet.” Strategic Change, vol. 25, no. 5, pp. 461-470, 2017, http://dx.doi.org/10.1002/jsc.2146. [Online] Available: https://doi.org/https://doi.org/10.1002/jsc.2146
- A. Park, J. Kietzmann, L. Pitt, and A. Dabirian, “The Evolution of Non-fungible Tokens: Complexity and Novelty of NFT Use-Cases.” IT Professional, vol. 24, no. 1, pp. 9-14, 2022, http://dx.doi.org/10.1109/MITP.2021.3136055. [Online]. Available: https://doi.org/10.1109/MITP.2021.3136055
- T. Sharma, Z. Zhou, Y. Huang, and Y. Wang, “‘It’s A Blessing and A Curse’: Unpacking Creators’ Practices with Non-Fungible Tokens (NFTs) and Their Communities.” arXiv, vol. 1, no. 1, pp. 1-20, 2022, http://dx.doi.org/2201.13233. [Online]. Available: https://arxiv.org/pdf/2201.13233.pdf.
- R. O’Dwyer, “Producing artificial scarcity for digital art on the blockchain and its implications for the cultural industries. Convergence:, 26(4), 874-894. https://doi.org/10.1177/1354856518795097 .” Convergence: The International Journal of Research into New Media Technologies, vol. 26, no. 4, pp. 874-894, 2020, http://dx.doi.org/10.1177/1354856518795097. [Online]. Available: https://doi.org/10.1177/1354856518795097
- P. A, “Non-Fungible Tokens (NFT)-Innovation Beyond the Craze.” 5th International Conference on Innovation in Business, Economics and Marketing Research, vol. 66, pp. 26-30. [Online]. Available: https://www.researchgate.net/profile/Andrei-Dragos-Popescu/publication/353973149_Non-Fungible_Tokens_NFT_-_Innovation_beyond_the_craze/links/611ceede0c2bfa282a514be9/Non-Fungible-Tokens-NFT-Innovation-beyond-the-craze.pdf.
- N. Mofokeng and T. Matima, “Future tourism trends: Utilizing non-fungible tokens to aid wildlife conservation.” African Journal of Hospitality, Tourism and Leisure, vol. 7, no. 4, pp. 2-20, 2018. [Online]. Available: http://www.ajhtl.com/uploads/7/1/6/3/7163688/article_21_vol_7_4__2018.pdf.
- Q. Wang, R. Li, Q. Wang, and S. Chen, “Non-Fungible Token (NFT): Overview, Evaluation, Opportunities and Challenges.” arXiv, vol. 1, no. 1, 2021, http://dx.doi.org/2105.07447. [Online]. Available: https://arxiv.org/pdf/2105.07447.pdf.
- L. Bisschoff, “The Future is Digital: An Introduction to African Digital Arts,” Critical African Studies, vol. 9, no. 3, pp. 261-267, 2017. https://doi.org/10.1080/21681392.2017.1376506
- S. A. Xaba, X. Fang, and S. P. Mthembu, “The Impact of the 4IR Technologies in the Works of Emerging South African Artists,” Art and Design Review, vol. 09, no. 01, pp. 58-73, 2021. https://doi.org/10.4236/adr.2021.91005
- M. Franceschet, G. Colavizza, T. A. Smith, B. Finucane, M. L. Ostachowski, S. Scalet, J. Perkins, J. Morgan, and S. Hernández, "Crypto Art: A Decentralized View," Leonardo, vol. 54, no. 4, pp. 402-405, 2021. https://doi.org/10.1162/leon_a_02003
- A. Abid, S. Cheikhrouhou, S. Kallel and M. Jmaiel, “A Blockchain-Based Self-Sovereign Identity Approach for Inter-Organizational Business Processes,” 2022 17th Conference on Computer Science and Intelligence Systems (FedCSIS), Sofia, Bulgaria, 2022, pp. 685-694, http://dx.doi.org/10.15439/2022F194.
- S. Bsteh, “From Painting to Pixel: Understanding NFT Artworks.”
- M. B. Holbrook, “Consumer Value: A Framework for Analysis and Research,” Routledge, London, UK, 1999.
- R. Sánchez-Fernández and M. Á. Iniesta-Bonillo, "The Concept of Perceived Value: A Systematic Review of the Research," Marketing Theory, vol. 7, no. 4, pp. 427-451, 2007. https://doi.org/10.1177/1470593107083165
- S. Leroi-Werelds, “An Update on Customer Value: State of the Art, Revised Typology, and Research Agenda,” Journal of Service Management, ahead-of-print, 2019. https://doi.org/10.1108/JOSM-03-2019-0074
- P. Shields and N. Rangarajan, “A Playbook for Research Methods: Integrating Conceptual Frameworks and Project Management.”.
- A. Bhattacherjee, “Social Science Research: Principles, Methods, and Practices,” University of South Florida, 2012.
- V. Braun and V. Clarke, “Using Thematic Analysis in Psychology,” Qualitative Research in Psychology, vol. 3, pp. 77-101, 2006. https://doi.org/10.1191/1478088706qp063oa